Straight out of the camera and scanned as one negative… I really like the flow of this image… Half Frame is cool 🙂
Canon Demi S Half Frame Camera, Kodak Supra 400 ISO Film, CanoScan 9000F Scanner.
Another couple of sequence shots from the loaner Canon Demi Half Frame Camera.
They are both off the first roll I put through it where I stuffed up which way to shoot and had to turn the images in Photoshop…Hence the weird light leaks don’t match up…
I think the person in the first one makes the shot… but that’s just me 🙂
Canon Demi, Ilford HP5+ 400 ISO Film, Canoscan 9000F Scanner.
Seen at Kaitoki
After good feedback from the last post about how it was done, here goes details about how the shots I put up yesterday were captured:
Hopefully this shows that you dont need lots of fancy equipment and a studio to get reasonable images.
Equipment Used: 1 x 10 metre power cable, 1 x multi plug box, 2 x light stands, 2 x 500W Studio lights with 150W modelling lamps, 1x softbox umbrella, 1 x barn doors, 1 x tripod, 1 x Nikon D70s with 18-70mm Lens, 1 x 1GB CF card and 1 x Nikon ML3 wireless camera remote. This effect would be easy to replicate using a couple of house lamps in a dark room with a bit of ingenuity.
Shot 2: Set the light with the barn doors pointing at the back wall to control the amount of light that was falling on the wall and the light with the umbrella about 2 metres away from the back wall pointing across the shot to avoid shadows falling on the back wall and creating a heavy side lighting effect. Both lights were set to full power but the strobes were turned off.
Shot 3: First test shot with camera set at f3.8 at 1/125 sec 800 ISO this was with the garage door open which let in more light than I wanted as well as the bluish colour cast at the bottom of the image. I also didn’t like the shadow in the upper right of the frame and so adjusted the barn doors to take this out.
Shot 4: After closing the garage door and setting the camera focus to about 1.5 metres as well as adjusting the camera to f5.6 at 1/60th second I took the first shot with me in it. With self portraits its always difficult to pinpoint where you are supposed to stand, most of the time it’s just trial and error… I sometimes put a light stand in the shot to get the centre and to use as a reference for focus… This time I just guessed and was off centre which I liked anyway. After looking at this shot on a computer I liked the way the light on the wall darkened at the right and the light on me darkened on the left. I knew there would be enough information to make it easy to add more drama in Lightroom and Photoshop.
Shot 5: Props and Action! Yes I did give myself a Mohawk for the day just for the heck of it (its gone now) This is shot no. 23 Unprocessed straight off the camera in Raw. I have to say its the weirdest feeling using studio lights and setting off the camera with none of the usual loud popping noise that accompanies strobes going off.
Shot 6: Final Rendition. Image has been recropped and Lighroom adjustments have been made to make it darker and more dramatic (Direct Positive, Vignette and Exposure decrease). I have a tendency to make stuff darker rather than lighter since that seems to be my base aesthetic.
If people keep showing a continued interest in this type of post then I will try and make it a more ongoing subject of this blog.
Let me know.
I shot this wide because the tree was on a massive lean towards said power pylon and the tree fellers truck (which he moved before the tree came down).
It ended up being a bit of an anticlimax due to the fact that they tied a steel cable to the digger and pulled it down before it was cut all the way through.
Original series was 17 images but have narrowed it down a bit. I also kooked the focus due to using slow film so have made it small and “Lomofied” it a bit. Yes I know im a hypicrite
Sequence of a pine tree being felled.
Amusing things to note: Shot on Ilford Pan F+ 50 ISO film so had to shoot at f2.8 so not to get motion blur and had 9 month old Samantha in the backpack trying desparatley to grab the camera strap.
More tree related shots coming.